Choice

"Improvisation is valued because the compositional decisions happen in the moment; therefore, it is the most authentic and the least contrived kind of dancing.  These moments are immediately, and joyfully, lost."  Michelle Heffner Hayes, "The Writing on the Wall: Reading Improvisation in Flamenco and Postmodern Dance," from Taken by Surprise, p. 113

 

 

                          

 Did anything surprise you? 

 Where is inspiration drawn from?

 How are choices made?      

 More comments on choice.

 Does music inform your choice?     

 How does setting inform choice?

 Moving away from dancer moves.

 How has the process changed?

  I don't plan anything ahead.   

 Choices and an internal monologue.

Do you need to avoid looking like a dancer?    

 This is play time.

 How do we set expectations?   

 Is improving in music the same as improving in dance?

 How does the ground influence your movements?     

 What is the hardest part about this process?

 How do you make decisions? 

 Interviews with Sherrie and Kelly and Matt, (10/8/08).